Naveen Islam Toree

A new group exhibition at Bhumi Gallery is bringing together a range of emerging artists through a simple but effective idea: working within small canvases. Titled “Small, Infinite — Chapter I: Beginnings”, the fourth exhibition by Easels features 120 artworks by 10 young artists, each contributing 12 individual pieces.

Artist Suporna Alice Gomes inaugurated her first solo art exhibition, “Burnt Expressions: The Realms of Fantasy,” today at Safiuddin Shilpalay in Dhanmondi, marking a significant milestone in her artistic journey.

As Tashfee makes her debut in Bollywood with “Sajan Re”, The Daily Star catches up with her about the new adventure, and what lies ahead.

In the Bangla cultural calendar, spring often arrives not only in colour, but in melody. This season, that arrival takes shape in “Boshonto”, a lyrical play dedicated to poet Kazi Nazrul Islam, while drawing from the timeless world of Rabindranath Tagore.

The red-walled auditorium at Alliance Française de Dhaka hummed with anticipation as photography enthusiasts, students, and storytellers gathered for an intimate Photo Adda.

An art exhibition that bridges geography and imagination has been extended, drawing continued attention from visitors in Dhaka. Titled “From Mountain to Sea”, the group show brings together artists from Nepal, Bangladesh and the Republic of Korea, offering a rich dialogue of landscapes, cultures and visual traditions.

The evening of April 3 marked the opening of the 66th solo exhibition of acclaimed photographer Nasir Ali Mamun, titled “Photoseum: Life of Poetree”, at La Galerie, Alliance Française de Dhaka.

With the release of “Ekshathe Alada” this Eid, The Daily Star spoke to Yash Rohan about his role in the romantic comedy and what sets the project apart.

Priyontee Urbee is clear about what she wants from her career: credibility. Not hype, not headlines — but work that speaks for itself. As her OTT presence steadily grows, the actor says her focus is on strong scripts, complex characters and consistency.

Few novels haunt popular culture the way “Wuthering Heights” does. Every generation believes it can tame Emily Brontë’s storm — and every generation is reminded that the storm refuses to be contained. The 2026 adaptation arrives not as a literary revival, but as a cultural battleground. Months before its release, debates around casting, tone, and directorial intent had already polarised audiences. But perhaps controversy is the most faithful tribute to Brontë’s unruly classic.

Produced by Shondaland, the series has built its reputation on lush, slow-burn romances set against the glittering Regency era. This time, however, the narrative leans unmistakably towards a fairytale — one strikingly similar to “Cinderella”. Benedict and Sophie’s story unfolds with all the familiar ingredients: disguise, longing, secrecy and the ache of forbidden love.

The Dhaka International Mobile Film Festival (DIMFF) 2026 kicked off on Saturday (January 31) with a clear message: mobile filmmaking is no longer a novelty, but a legitimate and growing cinematic practice with global reach.

From youthful longing to philosophical maturity, Rabindranath Tagore’s creative life unfolded as a continuous journey rather than something stagnant. That journey took centre stage at “Jatrapather Anandagan”, a thoughtfully curated cultural programme held on Friday (January 30) evening at Bengal Shilpalay in Dhanmondi.

The book was launched today evening at the Crowne Plaza Ballroom in Gulshan-2, Dhaka, at an event organised by Archiconnect and attended by architects, academics, planners, students, cultural figures and members of the media, marking a significant moment for contemporary architectural discourse in Bangladesh.

In a city where conversations around gender and representation are frequent, moments of genuine re-calibration remain rare. “The Other Voice” arrives at Bengal Shilpalay on January 28 not as a slogan-driven exhibition, but as a visual argument—one that insists women’s artistic practices in Bangladesh cannot be reduced to footnotes, themes, or exceptions.

Published by Unicorn and distributed locally by University Press Limited, the book resists the narrow frames through which Bangladesh has often been viewed since its independence in 1971. International narratives have long leaned on images of poverty, disaster, and despair. Grey’s work proposes something far more radical: a Bangladesh alive with texture, dignity, contradiction, and irrepressible energy.

Rupert Grey, a descendant of Charles Grey and best known professionally as a leading libel and copyright lawyer stood against this statement. “If Bangladesh is a basket case,” Grey tells The Daily Star, “then it is so in the best possible way.” For him, the term collapses under the sheer vitality of the country. A single square metre of a Bangladeshi street, he argues, holds more energy than entire neighbourhoods in London. Where life in England often unfolds in rigid routines, Bangladesh thrives in spontaneity—where a hanging lighter at a tea stall can become a moment of shared choreography.

A corner of Alliance Française de Dhaka’s Galerie Zoom has been transformed into a time capsule, where three teenage artists come together to tell a story that feels both tender and universal. “Convergence” is less about spectacle and more about memory — about how friendship forms, stretches across distance, and learns to say goodbye without ever fully letting go.

A group photography exhibition documenting the life, culture and traditions of the Manipuri community in Bangladesh opened at the Bishwo Shahitto Kendro Art Gallery in Banglamotor on December 12.

Necropolitics— a social or political power that determines who gets to live and who does not. Just the thought of this unfair monstrosity makes one shiver, doesn’t it? But it is the way of the world now. To make a bold statement against necropolitics all around the world, The University of Liberal Arts Bangladesh (ULAB) presented “Rupantor: The Resonance Show”, a sustainability-focused fashion and performance project that transformed discarded materials into wearable narratives, with design, movement and social reflection.