Remembering Anwar Hossain, the ‘uncrowned Nawab’ of Dhallywood

Anwar Hossain was one of the most celebrated actors in Bangladesh. Over a career spanning hundreds of films, he played an astonishing range of characters — from heroes and rulers to ordinary villagers and morally complex figures.

He became the “uncrowned Nawab” of Bangladeshi cinema after his iconic performance as the titular character in Nawab Sirajuddaula, directed by Khan Ataur Rahman. His deeply emotional portrayal of the doomed Nawab captivated audiences, particularly during the character’s tragic death. The role became so closely associated with Hossain that audiences everywhere began calling him the “uncrowned Nawab”.

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His versatility was further evident in Zahir Raihan’s landmark political film “Jibon Theke Neya”. Playing a politician, Hossain created a very different screen image. He also appeared in the film’s memorable musical sequences, including “Karar Oi Louho Kopat” and “Amar Sonar Bangla”. In the latter, his emotional expression as tears rolled down his face remains particularly memorable.

In “Lathiyal”, Hossain delivered another acclaimed performance, convincingly portraying a rural stick-fighter. His natural and powerful acting won over audiences across the country and earned him the National Film Award for Best Actor.

Although best known for his character roles, Hossain was also a leading man. He made his acting debut as a villain and later played the hero in “Surja Snan”. Across hundreds of films, he portrayed virtually every kind of character — rich and poor, king and commoner, saint and sinner.

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He continued to surprise audiences in films such as Amjad Hossain’s “Golapi Ekhon Traine”, in which he played an ordinary man with remarkable sensitivity. His performance earned him another National Film Award. He also played the titular roles in “Shahid Titumir” and “Isha Kha”, further demonstrating his extraordinary range.

Some of the songs associated with Hossain’s performances became cultural favourites. “Hay Re Manush, Rongin Fanush, Dhom Furaille Thush”, featured in “Boro Bhalo Lok Chhilo”, became widely popular across cities, villages, markets and tea stalls. His screen presence in films such as “Manusher Mon”, “Bhanumati”, “Chakorani” and “Bhat De” also left lasting impressions on audiences, often through emotionally charged performances and songs.

In “Doyal Murshid”, Hossain played Hasan, an honest young man who desperately wanted to free himself from his burdens. His performance once again demonstrated his ability to bring dignity and emotional depth to a character.

Anwar Hossain died on September 13, 2013. Yet decades after his passing, he remains the uncrowned Nawab of Bangladeshi cinema — a rare actor whose range, screen presence and body of work remain difficult to match.

For his contribution to cinema, Hossain received the National Film Award for Lifetime Achievement, multiple National Film Awards and the Ekushey Padak, among numerous other honours.

Anwar Hossain was, quite simply, one of a kind.